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ABOUT

Displayed Words is an experiment in thinking with language, text, and poetry through digital format and in public space. Who and what defines the space in which words are made legible and meanings are produced? How does the perception of text change from one medium to another? Displayed Words plays with the intelligibility of text and its manifold displays; it also poses questions pertaining to context within which literature and poetry can be perceived and understood. Finally, it asks how text is mediated, and in which language dominant discourse and literature are communicated in a metropolitan like Berlin. What about languages considered minoritarian, those one hears across the city in everyday encounters, such as Russian, Turkish, Arabic, Vietnamese, or Spanish …?

For its third edition, Displayed Words takes place at Staatsbibliothek zu Berlin, Haus Potsdamer Straße, where texts by Apsilon, May Ayim, Tim Etchells, Logan February, Friederike Mayröcker and Cristina Rivera Garza are presented on a digital display panel on the balcony above the main entrance. The project, continuing its aim to facilitate poetic encounters in urban space, will be accompanied by a series of readings on site and a publication. After the last two editions at Klosterruine and Rathaus Tiergarten, Displayed Words arrives at its final location at Stabi West with a new selection of texts, responding to our current time and addressing questions of identity, origin, belongingness, and the histories and memories of a place.


Displayed Words 3

10 Sep 2024 – 26 Jan 2025
Staatsbibliothek zu Berlin, Haus Potsdamer Straße, Potsdamer Straße 33, 10785 Berlin
Apsilon, May Ayim, Tim Etchells, Logan February, Friederike Mayröcker, Cristina Rivera Garza
Curated by Fabian Schöneich, Nan Xi and Franz Hempel, CCA Berlin and Mathias Zeiske, DAAD.

Opening + Reading on 10 Sep 2024, 6-9 PM
Rike Scheffler reads Friederike Mayröcker
Savannah Sipho reads May Ayim

Reading + Music on 6 Oct 2024, 3-4:30 PM
Logan February + Otis Mensah

 

Displayed Words 2
15 Dec 2023  –  30 Apr 2024
Bezirksamt Mitte / Rathaus Tiergarten, Mathilde-Jacob-Platz 1, 10551 Berlin
Ingeborg Bachmann, Angélica Freitas, Hassan Khan, Otis Mensah, Rafael Moreno, Nazanin Noori, Nhã Thuyên, Kinga Tóth
Curated by Fabian Schöneich, Nan Xi and Lou Ferrand (Jeunes Commissaires Fellowship 2023), CCA Berlin and Mathias Zeiske, DAAD

 

Displayed Words – Displaced
15 Dec 2022  -  16 Apr 2023
Klosterruine, Klosterstr. 73a, 10179 Berlin
Don Mee Choi, Athena Farrokhzad, Volha Hapeyeva, Quinn Latimer, Rike Scheffler, Yasmine Seale, Hajra Waheed
Curated by Fabian Schöneich

 

Supported by Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt, project funds from Draussenstadt (Displayed Words 1+2 )and the DAAD Artists-in-Berlin Program. Animations and design by Ronnie Fueglister and Yves Graber, code by Lorenz Peter. Thank you to the Head of Department, District Office Mitte of Berlin, Office for Further Education and Culture: Dr. Ute Müller-Tischler

 

ÜBER

Displayed Words ist ein Experiment im Umgang mit Sprache, Text und Poesie in digitalen Formaten und im öffentlichen Raum. Wer und was definiert den Raum, in dem Wörter abgebildet und Bedeutungen erzeugt werden? Wie verändert sich die Wahrnehmung von Text von einem Medium zum anderen? Displayed Words spielt mit der Verständlichkeit von Text und seinen vielfältigen Darstellungen; es stellt Fragen nach dem Kontext, in dem Literatur und Poesie wahrgenommen und verstanden werden können. Schließlich fragt es, wie Text vermittelt wird und in welcher Sprache der dominante Diskurs und die Literatur in einer Metropole wie Berlin kommuniziert werden. Wie verhält es sich mit Sprachen, die als minoritär gelten und die man in der Stadt in alltäglichen Begegnungen hört, wie z. B. Russisch, Türkisch, Arabisch, Vietnamesisch, oder Spanisch…?

Die dritte und letzte Ausgabe von Displayed Words findet in der Staatsbibliothek zu Berlin, Haus Potsdamer Straße statt, wo Texte von Apsilon, May Ayim, Tim Etchells, Logan February, Friederike Mayröcker und Cristina Rivera Garza auf einer digitalen Anzeigetafel auf dem Balkon über dem Haupteingang präsentiert werden. Das Projekt, das Begegnungen mit Poesie im urbanen Raum fördert, wird von öffentlichen Lesungen vor Ort und einer Publikation begleitet. Nach den vergangenen Ausgaben in der Klosterruine und im Rathaus Tiergarten präsentiert Displayed Words nun in der Stabi West zum letzten Mal eine neue Auswahl an Texten: Diese reagieren auf unsere aktuelle Zeit und greifen Fragen zu Identität, Herkunft, Zugehörigkeit sowie den Geschichten und Erinnerungen eines Ortes auf.

 

Displayed Words 3
10 Sep 2024 – 26 Jan 2025
Staatsbibliothek zu Berlin, Haus Potsdamer Straße, Potsdamer Straße 33, 10785 Berlin
Apsilon, May Ayim, Tim Etchells, Logan February, Friederike Mayröcker, Cristina Rivera Garza
Kuratiert von Fabian Schöneich, Nan Xi und Franz Hempel, CCA Berlin und Mathias Zeiske, DAAD.

Eröffnung + Lesung am 10. Sep. 2024, 18-21 Uhr
Rike Scheffler liest Friederike Mayröcker
Savannah Sipho liest May Ayim

Lesung + Musik am 6. Okt. 2024, 15-16.30 Uhr
Logan February + Otis Mensah

 

Displayed Words 2
15 Dez 2023  –  30 Apr 2024
Bezirksamt Mitte / Rathaus Tiergarten, Mathilde-Jacob-Platz 1, 10551 Berlin
​Ingeborg Bachmann, Angélica Freitas, Hassan Khan, Otis Mensah, Rafael Moreno, Nazanin Noori, Nhã Thuyên, Kinga Tóth
Kuratiert von Fabian Schöneich, Nan Xi und Lou Ferrand (Jeunes Commissaires Fellowship 2023), CCA Berlin und Mathias Zeiske, DAAD

 

Displayed Words – Displaced
15 Dez 2022  -  16 Apr 2023
Klosterruine, Klosterstr. 73a, 10179 Berlin
Don Mee Choi, Athena Farrokhzad, Volha Hapeyeva, Quinn Latimer, Rike Scheffler, Yasmine Seale, Hajra Wahee
Kuratiert von Fabian Schöneich

 

Gefördert durch die Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt aus Projektmitteln von Draussenstadt (Displayed Words 1+2) und unterstützt vom Berliner Künstlerprogramm des DAAD. Animationen und Design by Ronnie Fueglister und Yves Graber, programmiert von Lorenz Peter. Vielen Dank an die Fachbereichsleiterin, Bezirksamt Mitte von Berlin, Amt für Weiterbildung und Kultur: Dr. Ute Müller-Tischler

 

by Don Mee Choi

Ahn Hak-sŏp #1

Mr. Ahn was a political prisoner from 1953 to 1995. He currently lives in a farming village within the Civilian Control Zone, on the South Korean side of the DMZ. The CCZ was created by a US Army commander in 1954, after the Korean War, and it remained relatively unpopulated till the 1980s. The new settlements in the CCZ are commonly referred to as “DMZ villages.” To enter the DMZ village near the city of Kimpo, west of Seoul, I had to pass a guard post manned by young soldiers. I also observed seemingly endless barbed-wire fencing across the rice fields. Ahn, now in his eighties, remains a North Korean sympathizer. Every time a missile is test-fired in North Korea—usually before or after the massive biannual, joint US and ROK military exercises—Ahn is placed under house arrest. I recorded Ahn and also scribbled in my notebook while listening to his life story at his house on December 23, 2016. I remain a daughter of neocolony.

Ahn Hak-sŏp #2

. . . May of 1957 . . . we started a hunger strike . . . there were 367 of us . . . someone said 368 . . . but I know it was 367 . . . we all signed on and organized the strike . . . first round, second round, third round, fourth round . . . we were beaten indiscriminately . . . our hands tied back . . . the guards still used Japanese words . . . lost our consciousness . . . and were thrown into solitary cells … threw cold water at us … when I woke up I was still alive … sounds of torture . . . second round . . . indiscriminate beatings . . . many dropped out . . . after the third and fourth and . . . indiscriminate beatings . . . everybody gave up . . . only 8 of us went all the way … we were ready to die … when your stomach stays empty for long … we were near starved to begin with . . . it churns . . . as if someone’s cutting it out . . . my comrade was in so much pain that he passed urine … only a few drops … nothing in him to come out … so we said … if you want to live, eat … we gave him water … in August someone from Central Intelligence came . . . suddenly our food ration was upgraded . . . you could even buy extra food if you had money . . . we could exercise . . . no one died from malnutrition anymore . . . all the prisons nationwide . . . but they kept the pressure on . . . torture . . . indiscriminate beatings . . . for instance . . . if you dropped your chopsticks or rice bowl . . . What’s that signal? . . . What’s that code? . . . they beat the shit out of us . . . they demanded meaning . . . meaning . . . yet meaningless . . . it was impossibly absurd . . . for instance . . . if you accidently dropped your wooden pillow at night . . . You signaled! . . . this comrade of mine was too frail … I said I was the one … these guys still used the Japanese word for a shotgun . . . my arms were not long enough . . . for a loop … for a shotgun to be tied … so they did it this way …

. . for instance . . . a neocolonial code . . .

. . . for instance . . . an anti-neocolonial code . . .

. . . for instance . . . . . . impossibly

. . . impossibly a loop

. . . impossibly a ribbon . . . impossibly, impossibly neocolonial . . .

. . . for instance . . .  . . . indiscriminate signs

. . . meaning, meaning, Mr.
. . . for instance . . . a few drops of urine . . . impossibly coded

Ahn Hak-sŏp #5

… the guards still used the Japanese word

… a dark cell
… no blankets
… stripped naked
… I couldn’t stretch my legs
… with a baton
… again and again

jab
butt
dig
poke
my square
my cosmos
my black hole
cornerless

… one guard asked me
… what if communism collapses all over the world?
… I said
… that has nothing to do with my ideology

… so a gang of thugs was sent in to terrorize me
… my head cracked

… I was on Planet Nine
… the torturer asked me
… what if I smash Planet Nine into bits?
… I said
… even blood rusts

… on Planet Nine
… snow was pink
… flakes of scabs
… dunes of dandruff

… the torturer asked
… what if I smash your head to bits?
… I said
… e e e
… ideology

Don Mee Choi was born in Seoul, South Korea. Her DMZ Colony (Wave Books, 2020) received the National Book Award for Poetry. She is a recipient of fellowships from the MacArthur, Guggenheim, Lannan, and Whiting Foundations, as well as the DAAD Artists-in-Berlin Program and Picador Guest Professorship for Literature.

Selected texts and images from DMZ Colony by Don Mee Choi copyright © 2020 by Don Mee Choi. Reprinted by permission of the author and Wave Books.

Don Mee Choi wurde in Seoul, Südkorea, geboren. Ihr Buch DMZ Colony (Wave Books, 2020) wurde mit dem National Book Award for Poetry ausgezeichnet. Sie ist Stipendiatin der MacArthur-, Guggenheim-, Lannan- und Whiting-Stiftungen sowie des Berliner Künstlerprogramms des DAAD und der Picador-Gastprofessur für Literatur.

Ausgewählte Texte und Bilder aus DMZ Colony von Don Mee Choi copyright © 2020 von Don Mee Choi. Nachdruck mit Genehmigung der Autorin und Wave Books.